On view through July 15, 2023—Haimaz, Heimr, Hjem, Heem, Hām, Home
May 13, 2016 – Jul 30, 2016
Confronting the state of contemporary politics, Jennet Thomas’s The Unspeakable Freedom Device offers a satirical interpretation of electioneering, voting systems, and cultural extremes in British society. Thomas’s film and multimedia installation follows the journey of two women through a sci-fi dystopian world as they search for Blackpool’s Winter Gardens, where the infamous former prime minister—Margaret Thatcher—delivered her most memorable speeches.
In Thomas’s neo-medieval futuristic world, voting is banned and citizens are persuaded to follow the “Blu Lady” through the “Unspeakable Freedom Device”—a technology that “feeds” people a sense of contentment. Using a color-coded visual narrative of red, green, and blue, Thomas evokes the language of computer technology while simultaneously pointing to the political symbolism of each color. Through RGB animations and a humorous caricature of Thatcher, Thomas allegorizes how images of authority figures in mass media become after-burns on the collective memory of a culture.
As Thomas’s characters become entangled in a cargo-cult of the Iron Lady, audiences are able to experience the humorous consequences of a new political paradigm in which surveillance spaceships and party campaigners reveal sordid truths about governmental trickery. Coincidently, Thomas’s work became politicized when Blackpool’s city councillors postponed the film’s release at the Grundy Art Gallery in 2014. Due to a “purdah“ regulation— meaning a rule that would veil the public during Britain’s general election—the officials censored the work until May 2015, after the election, for fear that Thomas’s film would influence voters.
Jennet Thomas makes films, performances, and installations that explore questions of fantasy in everyday life, language and belief systems, and how cultural memories are re-made, re-told and mythologized. Her work emerged from the experimental culture of London’s underground film and live art club scene in the 1990s, where she was a co-founder of the Exploding Cinema Collective. Her films have been screened extensively at international film festivals, particularly in the US and Europe and more recently in galleries in the United Kingdom. Recent solo exhibitions include The Unspeakable Freedom Device at the Grundy Art Gallery, London (2015); School of Change at Matt’s Gallery, London (2012), OUTPOST, Norwich (2010), and at PEER, London (2007). Thomas is currently Senior Lecturer in Fine Art at Wimbledon College of Art, University of the Arts, London.