Time, Truth, and Other Immeasurables opens Fri, Sep 11. Image: L, 03 49 09.7, +24 03 12, 2017. Airbrushed pigment on canvas. Collection of The Church of Jesus Christ of Latter-Day Saints Church History Museum.
Time, Truth, and Other Immeasurables opens Fri, Sep 11. Image: L, 03 49 09.7, +24 03 12, 2017. Airbrushed pigment on canvas. Collection of The Church of Jesus Christ of Latter-Day Saints Church History Museum.
Kellie Bornhoft’s (she/her) practice seeks tangible and poetic narratives needed in an ever-warming climate. Bornhoft utilizes sculpture, installation, and video to delve into the whelms and quotidian experiences of our precarious times. Scientific data and news headlines do plenty to evince the state of our warming planet, but the abject realities of such facts are hard to possess. Through geological and more-than-human lenses, Bornhoft sifts through shallow dichotomies (such as natural/unnatural, here/there, or animate/inanimate.) Bornhoft lives in Ogden, Utah, where she is an Assistant Professor/Coordinator of Foundations at Weber State University. She holds an MFA in Sculpture + Expanded Media from Ohio State University and a BFA from Watkins College of Art and Design. Bornhoft’s work has exhibited internationally in museums, galleries, and film festivals such as the Contemporary Art Museum in Raleigh, North Carolina, Kulturanker in Magdeburg, Germany, and the Athens International Film and Video Festival. Bornhoft’s work has been reviewed in many publications, including Frieze Magazine, Burnaway, INDYweek, and ArtsATL.